The Syz Collection

The ceramics of Wifredo Lam (1902, Cuba -1982, Paris), confronts his pieces with the collection from the national museum of Asian arts, Guimet. Curated @nicolastrembley
Opening October 18th - January 23, 2023. This exhibition is part of L’Asie...

The ceramics of Wifredo Lam (1902, Cuba -1982, Paris), confronts his pieces with the collection from the national museum of Asian arts, Guimet. Curated @nicolastrembley

Opening October 18th - January 23, 2023. This exhibition is part of L’Asie Maintenant 2022 season in partneship with @asianow

Thank you @alexandrafain_asianow for initiating it and @sophiemakariou for implementing it @museeguimet with #clairebettinelli

Thank you SDO Wifredo Lam #eskillam #dorotadolegaritter and @gmurzynska @mathias.rastorfer #gregorytiersmawoollgar for your support and the catalogue and @noamaloniz for your assistance. #wifredolam #ceramics #guimet #asia #china (à Musée national des arts asiatiques - Guimet)
https://www.instagram.com/p/Cj0ScX4tCVO/?igshid=NGJjMDIxMWI=

Plate is Bed
Plate is Sun
Plate is Circle
Plate is Cycle
Alongside Paris+ par @artbasel , kamel mennour is pleased to present its second solo show of American artist Matthew Lutz‑Kinoy (1984) at the gallery 6 rue du Pont de Lodi, Paris 6
17 October –...

Plate is Bed
Plate is Sun
Plate is Circle
Plate is Cycle
Alongside Paris+ par @artbasel , kamel mennour is pleased to present its second solo show of American artist Matthew Lutz‑Kinoy (1984) at the gallery 6 rue du Pont de Lodi, Paris 6

17 October – 3 December 2022 • 17 octobre – 3 décembre 2022
Opening on 17 October, from 6 pm to 8 pm • Can’t wait! ❤️ #matthewlutzkinoy @lutz_kinoy_unlocked (à Paris)
https://www.instagram.com/p/CjV2cB7tC-j/?igshid=NGJjMDIxMWI=

PAINTING BACKDROP PICTURE first monograph of Matthew Lutz-Kinoy with a text by Amy Sillman, designed by @norm_zurich and published by @buchhandlungwaltherfranzkoenig BOOKLAUNCH JUNE 15th At 4pm @artbasel Hall2.1, Ecart Booth R5 @ecart_books...

PAINTING BACKDROP PICTURE first monograph of Matthew Lutz-Kinoy with a text by Amy Sillman, designed by @norm_zurich and published by @buchhandlungwaltherfranzkoenig BOOKLAUNCH JUNE 15th At 4pm @artbasel Hall2.1, Ecart Booth R5 @ecart_books #matthewlutzkinoy #painting #backdrop #picture @lutz_kinoy_unlocked
https://www.instagram.com/p/Cef3ULLtCcK/?igshid=NGJjMDIxMWI=

#worldbuilding - Gaming and art in the digital age for 15 years @juliastoschekcollection curated by @hansulrichobrist with among others #theotriantafyllidis #daniellebrathwaiteshirley #luyang #jacolbysatterwhite #sturtevant @juliastoschek (à...

#worldbuilding - Gaming and art in the digital age for 15 years @juliastoschekcollection curated by @hansulrichobrist with among others #theotriantafyllidis #daniellebrathwaiteshirley #luyang #jacolbysatterwhite #sturtevant @juliastoschek (à Düsseldorf, Germany)
https://www.instagram.com/p/CebxPERNiol/?igshid=NGJjMDIxMWI=

In love with old spaces in NYC, artists ‘studios or galleries! #amysillman #ndash #azikiwemohammed #bridgetdonahue #simoneleigh #wadeguyton #christopherwool #publicaccess #reenaspaulings #15orient… thanks! #artspace #artiststudio (à New York, New...

In love with old spaces in NYC, artists ‘studios or galleries! #amysillman #ndash #azikiwemohammed #bridgetdonahue #simoneleigh #wadeguyton #christopherwool #publicaccess #reenaspaulings #15orient… thanks! #artspace #artiststudio (à New York, New York)
https://www.instagram.com/p/CcJPeJoNVXe/?igshid=NGJjMDIxMWI=

Expanded Craft @henrikkecroynielsen opening Friday in the context of @curatedby.at @nicolastrembley with #noaeshkol and @uchinonatsuko Noa Eshkol is primarily a radical choreographer. In 1954 she founded the Noa Eshkol Chamber Dance Group and...

Expanded Craft @henrikkecroynielsen opening Friday in the context of @curatedby.at @nicolastrembley with #noaeshkol and @uchinonatsuko Noa Eshkol is primarily a radical choreographer. In 1954 she founded the Noa Eshkol Chamber Dance Group and invented the pioneering Eshkol-Wachman Movement Notation to capture and analyze corporeal movement. In parallel to her dance practice, she produced hundreds ​‘Wall Carpets’ similar to quilts, starting in the early 70’s for a period of more than three decades. She pieced together scraps of fabric collected from textile workshops or gifted from friends and sewed them on larger swaths of fabric, such as blankets or bedspreads. Those vibrant and colorful abstract works can be displayed either horizontally on the floor or vertically on the walls and are only composed of found elements without a single fragment ever being cut. Thank you @neugerriemschneider
https://www.instagram.com/p/CTO5jRZtWF5/?utm_medium=tumblr